Analogue of Horror
Newsletter Chinese Folklore, Haunt, Movie and Book Edition
This Episode's Found Footage...
- Shadows Are Falling
- The Infamous Dr. Qiu (Main Character Muse)
- Chinese Folklore: Wicked & Wronged Spirits
- Qiu Mansion Haunt
- Chaonei No. 81 Haunt
- Silk Movie
- The Dominant One Audiobook on Various Audio platforms, (Audible Coming Soon) (WATCH OUT!)
- For Every Writer (Yan Lianke)
Hello Again...
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SHADOWS ARE FALLING
PROJECT UPDATE: BOOK 3
The 1980s setting of the fictional town "Fishbone" Montana only adds to the eerie atmosphere surrounding Dr. Robert Qiu, a brilliant yet troubled New England Medical Examiner. Desperate to escape his haunting past, he sets his sights on this small town, unaware of the sinister secrets that lurk within its borders.
But as he delves deeper into the darkness that surrounds Fishbone, he realizes that some ghosts are not so easily laid to rest. As fiendish plans and unspeakable atrocities unfold, a string of gruesome wolf attacks further plunges the town into chaos. The sheriff is forced to enlist the help of Dr. Qiu, who alone holds the key to understanding these horrific events.
As he becomes more deeply involved in the investigation, Dr. Qiu finds himself targeted by unknown forces, putting his life in grave danger. Will he survive the Pack and uncover the truth behind these terrifying events? Or will he become just another victim in this horrifying tale of suspense and terror?
Shadows Are Falling Sample
They never come back the same.” Billy Durkin, Durk for short, bared his pointed incisors. Robert stared back at him.
“Why are you telling me this?” He said, not really sure wanted to know. After all, what kind of hillbilly horseshit was this? Durk dropped his expression in a duel with Robert’s own.
“Cause... When someone comes that close to death, it changes them. And not for the good and almost always for the bad. They come back, ugly and mean and looking to take someone with them for the ride.” Durk scratched at the sides of his beard with his thumb and forefinger.
“You know, for the parts that ain’t worth living. The parts they’re pretty sour about. The parts...” He leaned in, grasping his whisky in his calloused left palm. His eyes, like sapphires. “They’re stuck with.”
Robert glanced at the men sitting by the bar, if you could call any of them, men. Robert had another name in mind, but didn’t dwell on it. Thought it better that way. Durk followed Robert’s gaze, but kept on runnin', preaching his redneck rhetoric. He supposed there wasn’t much in this world that could stop him. The gospel according to Durk.
“Dead is gone... And sometimes, dead is better. That’s all I’m saying. Cause the bad things can’t follow you there. And there ain’t no coming back.” Robert almost went runnin’ with a thought of his own, snatching it back before escaping his lips. He did, however, dwell on it.
“There ain’t no coming back.” Robert drained the last of his whiskey from the glass. Elise’s face appeared to him outside the frosted window from over Durk’s shoulder. Her expression displayed the wanting of a man. Durk caught his gaze once more and then smiled. A real ‘backwoods’ grin. The dead, at least his anyway, had found their way back. Or maybe they never left...
The Infamous Dr. Qiu
The Man Behind The Muse
I have been fortunate enough to not only work with Dr. Qiu but ride shotgun in the merry-go-round, that is his mind. Though not an actual ‘Medical Examiner’, he is a man of the medicinal cloth so to speak, possessing a vast array of both skill and knowledge in his field. If anyone could solve this precarious puzzle of death in my latest project “Shadows are Falling” (Homage to my man Bob Dylan for one of the best songs of our time), it is him.
However, it is his fierce sense of self, humor and gloriously riotous (the snarkiest of snarks) laugh that solidified his role as the main character in Book 3. Let's see where Dr. Qiu takes us... Shall we?
CHINESE FOLKLORE: WICKED OR WRONGED SPIRITS
Yaogui, Yaoguai, Yaomo, Yaojing
Yaogui spirits are malevolent animal spirits or fallen celestial deities who gained magical powers through the practice of Taoism. (Taoism is an ancient Chinese philosophy and religion that instructs believers on how to exist in harmony with the universe) The wicked ones are called Gui or Mo (literally “demons”). Their goal is to gain immortality and subsequent deification.
Yaoguai means “weird devil” in Mandarin, China’s official language. In Chinese mythology, a yaoguai is the malicious spirit of an animal, a plant, or even an inanimate object. Yaoguai have magical powers that include the ability to transform into humans. They seek immortality because they want to be treated like gods. These monsters just want a little respect, like the rest of us.
Yuan Gui, Ghost with Grievance
The spirits are individuals who died wrongful deaths and their roots can be traced back to the Zhou dynasty, as recorded in Zuo Zhuan. Their troubled souls cannot find the peace they need for reincarnation. They continue to roam the world of the living in a state of constant depression and restlessness. In some stories, they try to communicate with the living to find some clues to understand why they were victims of injustice. The living person tries to help them clear their honor. Finally, the soul can find peace.
There is no “Werewolf” in Chinese Mythology.
Yao Guai in Concept Art
The Qiu Mansion
According to popular belief, the Qiu Mansion in Shanghai is one of the city’s most haunted places. It was owned by the Qiu brothers, who mysteriously disappeared and left a haunted house and an unsolved mystery.
The Qiu Brothers Mansion, also called the Cha House or Cha Gong Guan is an old mansion now restored as a historic building combining both western and chinese style in Shanghai in China. It is in the high end district of Jing’an, built in a time where Shanghai was a place for people all over the country and world to make money.
The Qiu brothers, Qiu Xinshan and Qiu Weiqing began their story as migrant workers in Shanghai that started from nothing and worked their way up. They came from a fishing family on Weishang Lake in Shandong Province and had to go east in search of a better future.
The pair made their fortunes selling paint in the early 1900s when the First World War broke out and the Germans couldn’t trade with China anymore, so the Qiu brothers took over the work from a German merchant selling paint and soon saw their fortune grow.
With the money from the paint selling business, the two brothers took it and built two identical mansions next to one another in the city's heart in 1913, or even later in the 1920s.
The brothers became incredibly rich and lived a lavish lifestyle and their ornate Qiu Mansion grounds became home to the brother’s collection of exotic pets that included Burmese tigers, peacocks, and even crocodiles roamed the gardens.
At the height of their fame and notoriety, the Qiu brothers mysteriously disappeared as their paint industry declined in the wake of the wars raging. The Qiu Mansions decayed and their once great gardens withered. The animals disappeared one by one, many just straight up killed to get rid of or eaten.
Rumors spread about strange occurrences such as objects moving by themselves or shadows appearing in the abandoned mansion, and eerie noises could be heard in the night. Yet, no one has proved the legends.
During World War II, the mansions were used as a middle school until 2002 and one building of the
Qiu Mansion was demolished in the 1950s. In 2010, they moved the remaining house almost 60 meters down the road and reopened in 2019 as a historic building.
Just across the street there is a Four Seasons Hotel facing the former Qiu Mansion. From there, many visitors as well as staff have reported hearing and seeing strange animals roaming around the abandoned site.
Perhaps the weirdest thing happening to the place is the rumors from the workers working all around the hotel. Construction workers from the restoration have sometimes sought hospital treatment for strange bites they believe come from animals, even though no one knows where and how they got injured.
The House That Never Dies
Chaonei No. 81
The House That Never Dies: Inside Beijing’s Creepy Chaonei No. 81
From the outside, Chaonei No. 81, an abandoned, Baroque-style mansion in the Chaoyangmen neighborhood of the Dongcheng District in Beijing, China, appears to be a waste of a beautiful home.
But locals know the real reason this building has lain abandoned for over 50 years: It’s a house inhabited by the dead.
Legend goes that following the Communist victory against the Nationalists in 1949, a high-ranking government official fled his mansion home for a haven in Taiwan, leaving behind his wife–or possibly mistress–to fend for herself. In desperation, the woman hung herself from the rafters of their home. Her ghost has haunted the house since that fateful day.
Though historians haven’t been able to corroborate the veracity of the story, they point out that an unknown entity suppressed and destroyed records around that time.
Those who live near Chaonei No. 81 claim to hear wailing screams that reach a fever pitch during thunderstorms. Several disappearances are linked to the house, which goes back to the very origins of the property. Historians say the house was built for an English priest to be used as a church. He disappeared before construction was completed. When investigators searched the house, they found a secret crypt that opened onto a tunnel, one that snaked through the darkness to the Dashanzi neighborhood in the northeast.
Not long after they commandeered the house in the 1960s, the Red Guards abandoned Chaonei No. 81. The house slipped into abandonment, leaving the locals even more wary of entering. “Even in the 1970s, people thought the house was haunted,” said Li Yongjia, who grew up nearby, to The New York Times. “As children, we would play hide-and-seek in the house, but we didn’t dare come in by ourselves.”
A more recent legend holds that in 2001, a group of construction workers renovating the basement next to Chaonei No. 81 thought it would be fun to break through the thin wall separating the properties. According to recent legend, no one ever saw them again.
People passing Chaonei No. 81 claim to feel an enormous sense of dread or foreboding; it’s said that even during the humid summer months, standing in the mansion’s doorway is much cooler than any other shaded entrance nearby.
Speculation about the house was so intense amongst Chinese youth that a film studio set a 3D horror film there, called The House That Never Dies, in 2014.
The house’s reputation (and its condition) makes it a hard sell for potential buyers. Realtors estimate that the renovation alone would cost nearly $1.5 million dollars. As of now, the Catholic diocese of Beijing owns the house and denies any claims of the property being haunted. As if to reinforce this, a chalk inscription outside the house reads, “there are no ghosts here.”
The interior of Chaonei No. 81, however, is covered in graffiti, warning visitors that if they know what’s good for them, they’ll stay out.
SILK
In Taipei, a team of ghost hunters pays a freelance cameraman to photograph places looking for paranormal activity, as previous attempts have been unsuccessful. The camera man is taking his pictures, and this time captures a picture of a boy in a seemingly empty room. That’s when things take a sinister turn...
A team of scientists led by Hashimoto has captured the energy of a ghost child, thanks to their newly invented device called Menger Sponge. The child, isolated in an empty flat, moves his lips to words no one understands. Hashimoto enlists special agent Ye Qi-Dong, who can read on lips, in order to figure out how this child can shed light on life... and especially life after death...
This was an unsettling yet satisfying nugget. A supernatural horror that boasted a large budget and an eclectic cast of Chinese, American and Japanese actors... It takes on, in a realistic but gritty sense of longing, the cost of indifference, guilt, and suppressed rage, the price that each character pays for a view of life after death. And for Hashimoto, a sense of god-like power.
Audiobook Sample at Barnes & Noble
https://www.kobo.com/us/en/audiobook/dominant-one-the
https://www.barnesandnoble.com/w/the-dominant-one-michelle-ian/1145565787
https://play.google.com/store/audiobooks/details/Michelle_Ian_The_Dominant_One?id=AQAAAEDSUj4S_M
https://libro.fm/audiobooks/9798882492525
https://www.storytel.com/se/sv/books/the-dominant-one-a-genre-bending-suspense-horror-6558318
https://www.audiobooks.com/audiobook/dominant-one-a-genre-bending-suspense-horror/782972
In Conclusion.
Hope you all have enjoyed my newsletter.
Until next time...
YOU SHOULD BE WRITING.
YAN LIANKE
“... books were still books - printed words on paper, like any other commodity that can be thrown away after being used. A book's fate is like a person's life, and no one can escape this inexorable path toward death...”
― Yan Lianke, Heart Sutra
Officially censored upon its Chinese publication,Dream of Ding Village is Chinese novelist Yan Lianke's most important novel to date. Set in a poor village in Henan province, it is a deeply moving and beautifully written account of a blood-selling scandal in contemporary China. As the book opens, Ding Village's town directors, looking for a way to lift their village from poverty, decide to open a dozen blood-plasma collection stations. The directors hope to drain the townspeople of their blood and sell it to villages near and far. The novel focuses on one family, destroyed when one son rises to the top of the Party as he exploits the situation, while another is infected and dies. Based on a real-life blood-selling scandal in eastern China, the novel is the result of three years of undercover work by Yan, who once worked as an assistant to a well-known Beijing anthropologist in an effort to study a small village decimated by HIV/AIDS as a result of unregulated blood selling. The result is a passionate and steely critique of the rate at which China is developing--and what happens to those who get in the way.
