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May 2025 issue:

an LA mizpah publication, vol 6 : issue 4

May 2025 issue: an LA mizpah publication, vol 6 : issue 4

Celebrate with Lipscomb Academy the imagination & creativity of the dreamer. In this issue: submissions of ART ~ PHOTOGRAPHY ~ POETRY ~ ESSAY

CLICK AND OPEN NEWSLETTER TO VIEW COMPLETE ISSUE

~ 2025 Congressional Contest WINNER ~ ~ 2025 Congressional Contest WINNER ~

~ on display at the US Capitol June 2025-June 2026 ~ ~ on display at the US Capitol June 2025-June 2026 ~

PASSING ON THE TRADITION by Gracelyn Howard, colored pencil on toned paper PASSING ON THE TRADITION by Gracelyn Howard, colored pencil on toned paper

GOLDEN ASPENS by Logan Swiggart, acrylic on canvas GOLDEN ASPENS by Logan Swiggart, acrylic on canvas

ACROSS THE POND by Charlotte Dalton, oil on canvas ACROSS THE POND by Charlotte Dalton, oil on canvas

QUEEN ANNE'S LACE by Anna Cauley, oil on canvas QUEEN ANNE'S LACE by Anna Cauley, oil on canvas

BLOCK PRINTS BLOCK PRINTS

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Carrie Ann Diener

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Aria Spencer-Nielson

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Brance Barnes

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Sabrina Stelmach

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John Madole

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Mary Elizabeth Alsup

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Rainn Causer

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Ty Walker

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Cassie Callis

THE SHOWDOWN by Wealth Jackson, pen and marker on paper THE SHOWDOWN by Wealth Jackson, pen and marker on paper

LIVING OFF THE GRID by Chuck Harrington, mixed media and repurposed globe LIVING OFF THE GRID by Chuck Harrington, mixed media and repurposed globe

STRING LIGHTS by Molly Thornton, photography STRING LIGHTS by Molly Thornton, photography

A STRING QUARTET by Daniel Shust, poetry A STRING QUARTET by Daniel Shust, poetry

Two violins,

a viola,

and a violoncello

can raise the sun.


Silhouettes of trees glowing in the newborn gold.

Birds praise their King, whilst the air remains cold.

Dew softens grass, painting a green less bold.


Two violins,

a viola,

and a violoncello

can mourn a loss.


Tear-forged trails stain separated lips.

Coffee spills, shattering where mug and mouth once eclipsed.

Fleeting remembrance of a gentle, loving kiss.


Two violins,

a viola,

and a violoncello

can become a breath.


Lungs fill with life, giving quiet to the mind.

Allowing none but one thought to be thought at one time.

Searching is vain, nothing is hidden, there's nothing to find.


All becomes still

when


two violins,

a viola,

and a violoncello

intertwine.

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LIGHT AND SHADOW by Gracelyn Howard, photography LIGHT AND SHADOW by Gracelyn Howard, photography

MOUNTAINSCAPE by Logan Swiggart, acrylic on canvas MOUNTAINSCAPE by Logan Swiggart, acrylic on canvas

RELEVANCE by Charlotte Dalton, oil on canvas RELEVANCE by Charlotte Dalton, oil on canvas

PENCIL ON PAPER PENCIL ON PAPER

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Ariel Waitts

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Matthew Rochford

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Maddyn Merritt

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Meagan Flanagan

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Carrie Ann Diener

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Brance Barnes

SONG OF SOLOMON 2:12 by Evan Courtney, photography SONG OF SOLOMON 2:12 by Evan Courtney, photography

BACKLIT by Rebecca Tessari, photography BACKLIT by Rebecca Tessari, photography

I REMEMBER by Ari Smith, poetry I REMEMBER by Ari Smith, poetry

I remember this funny little word

Which, as time goes by, starts to sound more absurd

What happened to the funny little phrase?

It died one night, and went up in a bright blaze


I remember the blue lights

For how dim it was, they were so bright


I remember the creek of the wood

Go back and change it? I absolutely would


I remember a time when I believed

In this seemingly strange word


The word, you may be asking yourself,

What is the word?


Justice, the concept of moral rightness and fairness

That time in the world where there was social awareness


It’s funny,

Or at least think I so,

That I no longer remember that time

As it was so, so long ago


I remember the night justice died

When it was dragged away like the departing tide

I had no time to grasp for its hand

My only choice? To watch its untimely end


I remember

And I always will


Never forgive


Never forget

SPRING CARPET by Evan Courtney, photography SPRING CARPET by Evan Courtney, photography

FOGGY ROOM by Mina Chen, essay FOGGY ROOM by Mina Chen, essay

Some days, I just don’t fit. I don’t meld with my friends, and I can’t concentrate. The wall

behind me is shattering like a fragile sheet of glass and I go tumbling head over heels into the

exact place I was before, but instead of being able to reach out and touch things, I’ve been

removed. Now I’m a watcher. When I walk through the hallways, I could pass right through a

person. That’s how intangible I am. On these days, I could tear my throat to pieces with a scream

and it would echo back at me.

If I had to give a name to the place, it would probably be the foggy room. It changes when

I leave one room and enter another. It’s a carbon copy of the room I’m in, but things feel less.

Like a sensation being torn through thorns gets pieces shredded off of it, so once it emerges on

the other side, it’s been stripped away.

I could live in the foggy room if I weren’t so lonely there. Sometimes the fog is actually

toxic and it sprinkles a breath with dust that makes me choke. I start to cry because of the pain

and the coughing, so I realize that I can’t stay in there forever. It’s just so inconvenient that I can

never seem to break the wall back into the real room again. I have to wait until someone else

does it for me.

My experiences with the foggy room have been polarizing at best and excruciating at

worst. I don’t recommend it if you can help it. The thing is, I never can. I could try not making a

big deal out of it, but I can’t help but wonder if anyone knows what I mean. If you do, I have to

say that’s sad to hear. I wish I had known so someone could keep you company.

PREDESTINATION by Gracelyn Howard, pencil on paper PREDESTINATION by Gracelyn Howard, pencil on paper

ILLUMINATING THE UNSEEN by Allie McCormac, oil on canvas ILLUMINATING THE UNSEEN by Allie McCormac, oil on canvas

POP ART SELF PORTRAITS POP ART SELF PORTRAITS

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Anabelle Houser

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Ariel Waitts

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Brance Barnes

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Carrie Ann Diener

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Cassie Callis

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Charlotte Bankston

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Garrison Church

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Josie Broadway

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Matthew Rochford

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Z Crockett

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Sabrina Stelmach

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Schuyler Weaver

TEARS OF GOLD by Carrigan Carter, mixed media on paper TEARS OF GOLD by Carrigan Carter, mixed media on paper

LIFE UNFOLDING by Caroline Bell, mixed media LIFE UNFOLDING by Caroline Bell, mixed media

PRICKLES by Maggie Bates, photography PRICKLES by Maggie Bates, photography

WHITE PENCIL ON BLACK PAPER WHITE PENCIL ON BLACK PAPER

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Anabelle Houser

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Cassie Callis

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Libby Tanner

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Maddyn Merritt

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Matthew Rochford

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Meagan Flanagan

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Rainn Causer

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Sabrina Stelmach

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Schuyler Weaver

POTTERY POTTERY

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Josie Broadway

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Becca Broadway

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Eva Beuglet Coiraton

HIGH SPEED by Esther Mullins, photography HIGH SPEED by Esther Mullins, photography

TABLETOP BOOKSHELVES TABLETOP BOOKSHELVES

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Becca Broadway

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Chuck Harrington

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Emma Rampy

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Avery Loyd

CHAUNCEY by Tony Carter, photography CHAUNCEY by Tony Carter, photography

DRESSED IN RED by Annabelle Calcote, oil pastels on toned paper DRESSED IN RED by Annabelle Calcote, oil pastels on toned paper

LAYERS by Samantha Youree, photography LAYERS by Samantha Youree, photography

SPOTLIGHT : GREEN ART SPOTLIGHT : GREEN ART

ART MADE FROM SUSTAINABLE OR REPURPOSED MATERIALS

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Anabelle Houser

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Becca Broadway

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Blane Blatt

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Ty Walker

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Brance Barnes

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Cassie Callis

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Eli Dillon

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Eva Beuglet Coiraton

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Garrison Church

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Luke Engesath

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Mamie Carman, Scottie Oller-Newton, Sabrina Stelmach

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Mary Elizabeth Alsup

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Matthew Rochford

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Rainn Causer

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Schuyler Weaver

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Hunter Brandt

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Matthew Rochford

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Nash Starks, Bo Strickland, & Kassam Bhegani

SPOTLIGHT : ILLUSTRATION SPOTLIGHT : ILLUSTRATION

ILLUSTRATIONS BY WEALTH JACKSON ABOUT HIS PERSONAL EXPERIENCE GROWING UP

CO AUTHORED BY DR. ELLA JACKSON AND SCOTT TILLMAN

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curated by the Lipscomb Academy yearbook mizpah staff

student editor in chief : Dani Vance

faculty advisor : Erin Rickelton


Lipscomb Academy

https://www.lipscombacademy.org/arts/visual-arts

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