May 2025 issue:
an LA mizpah publication, vol 6 : issue 4
Celebrate with Lipscomb Academy the imagination & creativity of the dreamer. In this issue: submissions of ART ~ PHOTOGRAPHY ~ POETRY ~ ESSAY
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~ 2025 Congressional Contest WINNER ~
~ on display at the US Capitol June 2025-June 2026 ~
PASSING ON THE TRADITION by Gracelyn Howard, colored pencil on toned paper
GOLDEN ASPENS by Logan Swiggart, acrylic on canvas
ACROSS THE POND by Charlotte Dalton, oil on canvas
QUEEN ANNE'S LACE by Anna Cauley, oil on canvas
BLOCK PRINTS
THE SHOWDOWN by Wealth Jackson, pen and marker on paper
LIVING OFF THE GRID by Chuck Harrington, mixed media and repurposed globe
STRING LIGHTS by Molly Thornton, photography
A STRING QUARTET by Daniel Shust, poetry
Two violins,
a viola,
and a violoncello
can raise the sun.
Silhouettes of trees glowing in the newborn gold.
Birds praise their King, whilst the air remains cold.
Dew softens grass, painting a green less bold.
Two violins,
a viola,
and a violoncello
can mourn a loss.
Tear-forged trails stain separated lips.
Coffee spills, shattering where mug and mouth once eclipsed.
Fleeting remembrance of a gentle, loving kiss.
Two violins,
a viola,
and a violoncello
can become a breath.
Lungs fill with life, giving quiet to the mind.
Allowing none but one thought to be thought at one time.
Searching is vain, nothing is hidden, there's nothing to find.
All becomes still
when
two violins,
a viola,
and a violoncello
intertwine.
LIGHT AND SHADOW by Gracelyn Howard, photography
MOUNTAINSCAPE by Logan Swiggart, acrylic on canvas
RELEVANCE by Charlotte Dalton, oil on canvas
PENCIL ON PAPER
SONG OF SOLOMON 2:12 by Evan Courtney, photography
BACKLIT by Rebecca Tessari, photography
I REMEMBER by Ari Smith, poetry
I remember this funny little word
Which, as time goes by, starts to sound more absurd
What happened to the funny little phrase?
It died one night, and went up in a bright blaze
I remember the blue lights
For how dim it was, they were so bright
I remember the creek of the wood
Go back and change it? I absolutely would
I remember a time when I believed
In this seemingly strange word
The word, you may be asking yourself,
What is the word?
Justice, the concept of moral rightness and fairness
That time in the world where there was social awareness
It’s funny,
Or at least think I so,
That I no longer remember that time
As it was so, so long ago
I remember the night justice died
When it was dragged away like the departing tide
I had no time to grasp for its hand
My only choice? To watch its untimely end
I remember
And I always will
Never forgive
Never forget
SPRING CARPET by Evan Courtney, photography
FOGGY ROOM by Mina Chen, essay
Some days, I just don’t fit. I don’t meld with my friends, and I can’t concentrate. The wall
behind me is shattering like a fragile sheet of glass and I go tumbling head over heels into the
exact place I was before, but instead of being able to reach out and touch things, I’ve been
removed. Now I’m a watcher. When I walk through the hallways, I could pass right through a
person. That’s how intangible I am. On these days, I could tear my throat to pieces with a scream
and it would echo back at me.
If I had to give a name to the place, it would probably be the foggy room. It changes when
I leave one room and enter another. It’s a carbon copy of the room I’m in, but things feel less.
Like a sensation being torn through thorns gets pieces shredded off of it, so once it emerges on
the other side, it’s been stripped away.
I could live in the foggy room if I weren’t so lonely there. Sometimes the fog is actually
toxic and it sprinkles a breath with dust that makes me choke. I start to cry because of the pain
and the coughing, so I realize that I can’t stay in there forever. It’s just so inconvenient that I can
never seem to break the wall back into the real room again. I have to wait until someone else
does it for me.
My experiences with the foggy room have been polarizing at best and excruciating at
worst. I don’t recommend it if you can help it. The thing is, I never can. I could try not making a
big deal out of it, but I can’t help but wonder if anyone knows what I mean. If you do, I have to
say that’s sad to hear. I wish I had known so someone could keep you company.
PREDESTINATION by Gracelyn Howard, pencil on paper
ILLUMINATING THE UNSEEN by Allie McCormac, oil on canvas
POP ART SELF PORTRAITS
TEARS OF GOLD by Carrigan Carter, mixed media on paper
LIFE UNFOLDING by Caroline Bell, mixed media
PRICKLES by Maggie Bates, photography
WHITE PENCIL ON BLACK PAPER
POTTERY
HIGH SPEED by Esther Mullins, photography
TABLETOP BOOKSHELVES
Becca Broadway
Chuck Harrington
Emma Rampy
Avery Loyd
CHAUNCEY by Tony Carter, photography
DRESSED IN RED by Annabelle Calcote, oil pastels on toned paper
LAYERS by Samantha Youree, photography
SPOTLIGHT : GREEN ART
ART MADE FROM SUSTAINABLE OR REPURPOSED MATERIALS
Luke Engesath
Mamie Carman, Scottie Oller-Newton, Sabrina Stelmach
Mary Elizabeth Alsup
Hunter Brandt
Matthew Rochford
Nash Starks, Bo Strickland, & Kassam Bhegani
SPOTLIGHT : ILLUSTRATION
ILLUSTRATIONS BY WEALTH JACKSON ABOUT HIS PERSONAL EXPERIENCE GROWING UP
CO AUTHORED BY DR. ELLA JACKSON AND SCOTT TILLMAN
curated by the Lipscomb Academy yearbook mizpah staff
student editor in chief : Dani Vancefaculty advisor : Erin Rickelton
Lipscomb Academy





















